“How do we find the strength to continue?”
Bianca Haro of San Diego, CA posed the question during the Mestizo Arts and Activism Collective’s workshop on “creative resistance” to violence and brutality. Throughout Free Minds Free People 2015, we saw and experienced how art is one way through the everyday and extreme madness, terrorization, cruelty, pain, grief, and silencing. Art is one response to Tonesha Russell’s question, “How can one resist under the constraints of the noose?”
Through creative work, we can move from forced marginalization to re-centering ourselves, our community, our truths. Alicia Garza explained during the Friday Evening Plenary that Black Lives Matter works to “center the margins in everything we do.” It is one of their “principles of practice.” And in their workshop, Enrique Aleman, Viri Najera, Sol Jimenez, Luis Novoa, Israel Corrales, and Jarred Martinez showed how that principle can come alive in the practice of graffiti art and poetry. The workshop leaders asked us to think and write poetry about what justice means through feeling with all our senses. They guided us in naming complex meanings of graffiti art that exist beyond and in the face of uninformed and malicious interpretations. In their moving and instructive workshop “About Resilience: Reconceptualizing Health and Healing” on “black women developing work that centers the experiences of black and brown girls,” Tonesha Russell, Jari Bradley, Cherise McBride, and Tiffani Johnson led us through a process of thinking critically about the power of writing and what it means “to write as an act of resistance.”
And through these workshops, we felt and heard about the process of creating art in the context of relentless and varying forms of violence. Bianca Haro described seeing graffiti as “scars on the wounds of inequality.” Tiffani Johnson spoke about the healing process of writing fiction. Jari Bradley pointed to the possibility and necessity of being “embraced and heard” through one’s creative work and the responsibility teachers have in creating that interaction and spaces for those vital connections.
As these workshops rejuvenated and sharpened the meanings and possibilities of practice, we remembered and learned how art can be a process through which justice is envisioned, repressed truths are expressed, exclusions are refused, spaces are reclaimed, and healing happens. And in that vein, here is the poem Barbara Cruz of Chicago, IL wrote during the Mestizo Arts and Activism Collective’s workshop.
Justice tastes like
Bittersweet copper blood
Filling your mouth,
The sweet venom of anger
Making it difficult not to scream.
Justice is the smell of change,
Of a new day,
Filling your nostrils
All the way up to your head
And your heart.
Justice looks like
You or me,
Fighting against their disenfranchisement
Against the hate
But for the love.
Justice sounds like
The Million Man March
Like the Chicano Walkouts
Like the Chicago Teachers Strike
Justice feels like
(poem by Barbara Cruz of Chicago Public Schools’ Democracy Fellows program)